Three Prose Poems

A man hiked through the Faron region to the ridge where he sat upon a rocky beach near the Riola Spring watching a water snake whorl in the cool-clear basin, slip-smiling between refracted sunbeams that pierced the invisible surface.

Two Poems

The god flood comes, beloved—hold my eyes
on your eyes, within your eyes—hold
my limbs as they wooden, build up
a soft mist, rippling pools, thick vines
to spool my low cries as my lungs evolve

High Scores: Song of Storms

It’s a song of not knowing what to do with what you’ve just encountered. No matter how obviously meaningful the thing in front of you appears, there is no way you can learn its meaning. Not yet. It’s a tease, a feeling Zelda fans at least tolerate and likely love.

The Princess Wishes for Her Own Ending

She is hungry for blood and dirt, not the cold stone walls or the warm spring pools where she bathes, or even the sweet perfumes her maidservants comb into her inevitably long, inevitably blonde hair. She is told she is beautiful so many times she does not know who she is.

High Scores: Hateno Village (Day)

What I find most compelling about “Hateno Village” is how it nods to the Legend of Zelda series’ past without totally bowing to it. Take, for instance, the way the song incorporates the first four notes from the beginning of the “House” music from Ocarina of Time; “Hateno” sprinkles the familiar notes in at around 1:13 like a light seasoning, subtly cuing the longtime Zelda fan to feel at home in the new environment. Essentially, the game creates nostalgia for a place the player’s never been before.